Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
We wrote
The Green Studio Handbook: Environmental Strategies for Schematic Design
A must read for exploring the qualitative, cultural, and social sensations of heat and coolth and understanding the thermodynamics of building design that elicits ways that we use, remember, and care about the energy that provides comfort (or discomfort) for building occupants.
Often in our environmental systems courses, we ask students to write down their most memorable thermal experience. Responses range from very hot to very cold and include many contrasting events, such as skiing, then sitting around a campfire. Thermal Delight gives experience after experience for us to consider how our comfort might be tempered or enjoyed and sets the foundation for designing with climate.
As designers, should we make our buildings not-uncomfortable or make them delightful?
Our thermal environment is as rich in cultural associations as our visual, acoustic, olfactory, and tactile environments. This book explores the potential for using thermal qualities as an expressive element in building design.
Until quite recently, building technology and design has favored high-energy-consuming mechanical methods of neutralizing the thermal environment. It has not responded to the various ways that people use, remember, and care about the thermal environment and how they associate their thermal sense with their other senses. The hearth fire, the sauna, the Roman and Japanese baths, and the Islamic garden are discussed as archetypes of thermal delight…
Likely the first energy “guidebook” for architects. Published during the 1970s oil crises, Mazria lays out a design process for saving energy through passive solar design.
The book is full of foundational knowledge, core principles, concepts, early data on material properties based on research done at the University of Oregon, clear definitions, and lots of black and white hand drawings showing solar positions, angles, and access for buildings. Though no longer in print, copies are still available, and the content is still relevant today.
As more design process is relegated to blackbox software that “may” consider many of the same variables dealt with in the Handbook, it is wise to refer to Mazria to conceptually back up important design decisions. [As an aside, Ed Mazria is currently the CEO of Architecture 2030.]
Provides comprehensive information on the design and application of passive solar-energy systems and assesses twenty-seven design patterns that offset a variety of factors influencing the effectiveness of solar heating
For much of the history of architecture material availability has been a key design concern.
More recently (say the past 50 years) operational energy has become a concern (both socially via codes and individually via cost). We are now in transition to a design landscape where carbon emissions are replacing energy consumption as the currency of concern.
Life Cycle Assessment does an excellent job of bringing the issue of carbon to the forefront and explaining how designers and owners rationally account for the carbon damage inflicted by their buildings. An easy read but not at all simpleminded.
Life Cycle Assessment addresses the dynamic and dialectic of building and ecology, presenting the key theories and techniques surrounding the use of life cycle assessment data and methods.
Architects and construction professionals must assume greater responsibility in helping building owners to understand the implications of making material, manufacturing, and assemblage decisions and therefore design to accommodate more ecological building. Life Cycle Assessment is a guide for architects, engineers, and builders, presenting the principles and art of performing life cycle impact assessments of materials and whole buildings, including the need to define meaningful goals and objectives and critically evaluate analysis assumptions.…
Fitch is best known as a city planner—not as an architect or engineer. Perhaps it is this perspective that allowed him to prepare a delightful introduction to the various sensory dimensions—the environmental forces—we engage as building users.
These dimensions, which constitute much of our holistic experience with architecture, include air quality, light, sound, and heat. None are truly shown on architectural plans. All affect us for better or worse. This is a great introductory read bereft of equations.
Few books have influenced the field of architecture more than American Building: The Environmental Forces That Shape It. Originally published in 1947, it has emerged as a classic work on the relationships among buildings, their inhabitants, and the environment. Now comes the first major revision in over twenty-five years, bringing this essential book completely up to date for a new, more environmentally aware generation of architects and designers. In this superb volume, James Marston Fitch provides a fundamental theory of buildings. "The ultimate task of architecture," he writes, "is to act in favor of human beings: to interpose itself between…
Architecture is often referred to as an art and a science. This is a reasonably accurate statement in the abstract. In practice, we often assess architecture visually (artistically) and assume (hope) that the science is there (even if hidden). In fact, physics always has the last word.
Fire and Memory reminds us that thermodynamics matters and that buildings are essentially anti-entropic constructs. Who can resist a proposition such as “whether to use the wood to build a small shelter or as firewood for a bonfire. An entire theory of architecture is encapsulated in this simple question.” Or a chapter titled “Energy as the Currency of Nature.”
Architecture and fire, construction and combustion, meet in this poetic treatise on energy in building.
In Fire and Memory, Luis Fernández-Galiano reconstructs the movement from cold to warm architecture, from building fire to building a building with and for fire, through what he calls a "metaphorical plundering" of disciplines as diverse as anthropology and economics, and in particular of ecology and thermodynamics. Beginning with the mythical fire in the origins of architecture and moving to its symbolic representation in the twentieth century, Galiano develops a theoretical dialogue between combustion and construction that ranges from Vitruvius to Le Corbusier, from the…
The Green Studio Handbook (3rd edition) is a resource for design studios and professional practice. Students and professionals can quickly get up to speed on system viability and sizing during the schematic design of buildings. More than forty environmental strategies each include a brief description of principles and concepts, step-by-step guidance for integrating the strategy, annotated tables and charts to assist with preliminary sizing, key issues to consider when implementing the strategy, and pointers to further resources. Ten in-depth case studies illustrate geographically diverse, successfully integrated design projects and how the whole process comes together. More than 500 sketches and full-color images, a project index listing 105 green buildings in 20 countries, and inclusion of I-P and SI units increase the usefulness of The Green Studio Handbook.
